Ed Asner - Brilliant In Plays In The Park
Reviewed by Susan Ferrari
The Santa Monica Playhouse, which has been an active
theater since the 1960‘s, is the location for an evening of three staged
readings of one-act plays written and directed by Brian Connors and starring Ed
Asner and Mark Rydell. On Sunday evening, Mr. Connors spoke briefly before the
performance, to give the obligatory reminder to turn off cell phones, as well as
to mention that these were readings of his plays and that the audience should
not expect to see “Spiderman.” His comment was appropriate as this format turned
out to be a delightful and enjoyable way to appreciate excellent acting and
writing in contrast to the blockbuster movie. The setting is a park with two
benches, where each pair of actors struggle with common themes of artistic
integrity versus material needs as well as issues of commitment and betrayal in
relationships.
Park Strangers
features Beege Barkett as the well-respected stage actress, Maureen, who is
sitting alone reading through some papers when she is approached by a younger,
less experienced colleague, played by Susan Ateh, while they wait for a
commercial shoot.
Ms. Ateh is wonderful as the star-struck
Dottie, who is “so frickin’ honored” to meet a “former star.” Maureen is
reluctant at first to engage in conversation with Dottie, but is gradually drawn
into revealing her personal story as they argue over the merits of doing
commercial work for an offensive corporation in order to pay their bills. Both
actresses show great range as they come from separate places to find a common
humanity.
In
Swans, Dahlia Waingort and Esai
Morales play a couple who have been living together for three years and are in
obvious conflict at a crossroads in their relationship. Somewhat
stereotypically, she presses him to marry her and start a family, while he
resists this scenario, because he is committed to his vocation as a painter.
This battle of the sexes is cleverly portrayed as a bitter back and forth game
with a surprisingly sweet outcome.
Ed Asner and Mark Rydell mines the humor in depression
and aging in Oxymorons, as two brothers with old issues to settle in the midst
of a present crisis in Rydell’s character, Joey’s, life. Both Mr. Asner and Mr.
Rydell have exquisite timing, and it is a pleasure to see Mr. Asner get the most
out of every word, gesture, and facial expression as he tries to placate his
brother. As was the case with the previous two plays, the conflict between the
characters is somewhat resolved by the act of having a dialogue. No matter how
the emotions are expressed, they are better off for having shared them with each
other.
Ed Asner will be leaving the
production after this weekend to appear on Broadway in the new play
Grace with Paul Rudd and Michael
Shannon. His part will be taken next weekend by the actor George Segal. The play
runs through Sunday, August 12, with regular show times on Saturdays and Sundays
at 3:00 and 7:00 pm.
This review is protected by copyright © and may not be reproduced in print or on the internet or through any other means without the written permission of Riveting Riffs Magazine, All Rights Reserved