This
production is an adaptation of Spoon
River Anthology, a book of short poems written by Edgar Lee Masters in 1916
and a staple in high school and collegiate English departments across
Ms. Meriwether portrays twenty-six characters young and old
with an approach that alleviates any confusion as to who is who.
Each character has her own specific demeanor and physicality as they are
skillfully brought back from the dead and onto the stage in a series of moving
vignettes. At first the vignettes
stand alone but as they progress, the relationships between characters becomes
apparent and the play becomes whole.
The variation among the characters is astounding and it includes
socialites, widowers, and many differing personality types, each narrating their
own interesting story. The audience
is allowed into the mind of each character as they recount their lives from
beyond the grave, sometimes even reflecting on their own demise.
While some appear innocent, others have tasted suicide, murder,
conspiracy and scandal as the women of
The set suggests a graveyard setting with several dead trees placed around the space. Props for the piece are cleverly hidden among the branches and utilized at the appropriate times in order to accentuate the characters. The trees are situated around and behind a series of chairs that also double as gravestones. The lighting is mood-reflective, adapting to each personality type and effectively mirroring the sentiment and weight of each character. At times it is a little dim, but this does not detract from the experience. It is recommend that you sit in the front half of the theater to ensure that everything can be seen and heard, as there are no microphones in use.
The Women of Spoon River: Their Voices From The Hill is highly recommended for students of American English, especially those studying Spoon River Anthology. Adults of all ages will appreciate the production but children will most likely not understand the complexities of the characters and the underlying messages of the piece so it is best to get a babysitter for this one.
The production runs roughly 55 minutes and is followed
by a Q & A with Lee Meriwether. Show
dates run through February 13th every Friday and Saturday at