Aimee Allen Sends Out a Little Happiness
Interview with Joe Montague
Aimee Allen is one of the most gifted singer / songwriters to come our way in a very long time, and in 2009 Riveting Riffs Magazine had the pleasure of reviewing her current album A Little Happiness, which demonstrates in fine fashion, just how versatile she is, as she incorporates reggae, pop, rock, gospel, calls and responses and numerous other elements into her collection of songs. Allen has written and performed her original hard, smash mouth rock tunes, she wrote the song “Cooties,” for the 2007 movie Hairspray, and penned “Ron Paul Revolution,” (a takeoff of her song “I’d Start A Revolution.), which became the anthem for Ron Paul’s presidential campaign. Aimee Allen is also a survivor, someone who she says was treated cruelly by her step-father, she rebelled against institutionalized religion and she was the victim of a vicious assault and beating, the result of a random gang attack in Los Angeles during 2008, an ordeal that left her almost dead. If all that was not enough, under the former administration for the American government there were efforts to suppress Aimee Allen’s music, because they objected to the tile and the content of one of her albums “I’d Start A Revolution.,” claiming that she posed security risk. Instead of turning inward and reclusive, Aimee Allen is using her music as a channel to reach out to others.
“I guess that starts with my childhood. I had a very tough childhood and I was really isolated. My stepfather was really mean and horrible. I couldn’t have very many friends and I couldn’t leave the house. I was pretty much grounded to my room for most of my childhood and we weren’t allowed to watch very much television or movies, so music was really all that I had, as friends even. I would get mixed tapes from friends at school. I would get tapes from my sister; I am the youngest of four. I would listen to them alone in my room and even though I was so alone and so isolated, I felt that the people to whom I was listening on the tapes, were really my friends and they understood what I was going through. They helped me through that very isolated and horrible time. I don’t know what I would have done without music, while I was growing up, so I would love to do that for someone else, to be there and to be their friend,” says Allen.
A Little Happiness marks the first time that Allen also wore the producer’s hat and her fingerprints are virtually on all aspects of this recording. She says that in the past, “I found that producers would put their agendas before the song and sometimes they would use my name or whatever, to make sure that their production was over the top and was amazing, so that other producers could hear it or other people would give them more work. I just really wanted the songs to be the songs, without any sort of producer magic on it, because the song can get lost in all of that I think.”Continuing to discuss A Little Happiness, Aimee Allen says, “I figure if it is me writing all of the songs, producing them, orchestrating the musicians and doing everything, then it will be fully my expression and I won’t have regrets. I will just think that was a portrait or a picture of that time in my life. There are no regrets, because that is my art, whereas I think on some of my other projects I have let producers do what they thought their vision was and ultimately it killed me. In the past, artistically, I have had a lot of regrets, as I have allowed other people to collaborate their visions with my vision. I just couldn’t leave the planet without doing it one time with my vision, without any collaboration.
Assuring this journalist, that she was not planning on leaving the planet anytime soon, Allen says, “I think after my assault, I had a wakeup call with how short and how fragile life is. I thought what a tragedy if I died and I never got to do an album that I fully participated in, and instead I just let other people do what they thought was a good idea. When I had that wakeup call, it immediately inspired me to get to work right away on this project.”
Songs such as “God Talks,” “Change In Weather,” “On Vacation,” the title track “A Little Happiness,” and “Crazy,” provide snapshots of various aspects of Aimee Allen’s life. She says, “It is pretty autobiographical; almost every single song is a picture of a time in my life, without any exaggeration or artistic license. It is pretty much my story, the story of my life. I guess it is therapy in a way to get it out and to share my story, in the hope that I can connect with other people, so they can find some hope and some peace in it. I hope they can find something in it to help them and that is why I believe that I was given the gift and why I make music. As I tell my story, I hope that it connects with others.”
When the song “On Vacation,” was penned, Allen says, “That was a very sad moment. I was very sarcastic. I was joking with my friend Lucian Piane who wrote the song with me. He came to my apartment and I had just got off the phone with my ex-boyfriend, who had called me, and had said, to me, ‘I heard that you aren’t doing very well. I just wanted to see if you are okay.’ My friend Lucian was in the room and I was like, ‘I am fine. I am doing really good. We are going out tonight and I (indicated) on the phone that I was doing really good. When I got off the phone, I started joking around about feeling good (she breaks into singing the lines, “Feelin’ good,” from the song) and just joking about it. We wrote the song in almost a few minutes, just to cheer me up and it did cheer me up. It was the opposite of what I was feeling at the time that I wrote the song.”
The companion video for “On Vacation,” leaves no room for doubt that Allen is delivering a message “Everything is good / Now that you are gone,” as the singer indicates that she has moved on with her life, she uses words like “Nothing you can say / Could ever change my mind,” and “Everything is good / Now that you are gone,” in an upbeat, lighthearted fashion to get her point across, but without ever becoming bogged down in bitterness or issues. For the ladies who are into this sort of thing, there is also some nice male eye candy, but in a tasteful, not sleazy fashion.
“On Vacation,” possesses a reggae pop beat, over which we hear Allen’s airy and cheery soprano voice, which stand in contrast to the edgier vocals that were prominent in the early part of her career. “That particular song came all at once. I was listening to a lot of Louis Prima, the guitarist and Lucian and I were just going like Louis Prima, and we used a lot of calls and responses. It is very organic. I really related to the feel and the soul of what Louis Prima had done on his album that I had. In that particular moment I was like let’s do Louis Prima “Feelin’ good, feelin’ good,” that was the origin for the inspiration for that particular part. The lyrics and the music came at once. That’s very rare for that to happen, but I am very grateful that it did. I like that song,” explains Allen.
Even though, A Little Happiness should once again firmly establish Aimee Allen as a premier singer / songwriter, there were still moments of uncertainty in the studio. “One of my biggest challenges (as a producer), was about halfway through, I didn’t know if I could do it, because it was my first time doing it. About halfway through, I didn’t know if I could and I started to second guess myself. How do I know that my views are good? I really wanted to simplify everything and make it more organic and I had never worked with anyone who wanted to do just raw, simplified, unproduced sound. I didn’t know how to do it and still sound professional. I had an engineer Ryan Atkins work with me on the technical aspects of everything and he was a lot of help. When it came to ideas and when it came to wanting him to be more of a part of it, when about halfway through I started to second guess myself, he didn’t and he wouldn’t, because he said ‘This is what you originally wanted. You want to do this and you have to do this.’ For a couple of weeks, I was really frustrated to the point of tears, but I am so happy that he made me keep going on my own. He helped me with a lot of the technical things, but with the creative ideas, he was like, this is yours, you do it. For a bit it was frustrating, but it turned out to be a great gift that he gave me, allowing me to be independent,” she says.
Someone, not Allen, posted a video on youtube of the singer performing the song
“God Talks,” the last track from
A Little Happiness,
and the gig was in
Aimee Allen may have simplified her music, but she is a very complex individual and the beautiful thing is she understands that about herself. She is aware of how the painful moments in her life have impacted and shaped who she is today, but she is also intent on using those experiences as an opportunity to reach out to others, through her music, so they will know that they are not alone, and even if they never meet her just like that little girl who so many years ago, sat in a lonely room and made friends with the voices that she heard singing to her, those who are hurting today can bond with Aimee Allen through her songs.
On the inside of each of Aimee Allen’s arms are tattoos. The one on the inside of her right arm simply says revolution and there are three swords that represent the Father, Son and the Holy Spirit. Of the tattoo on her left arm she says, “It is a lotus flower and I got that to inspire me and to remind me that although I come from a difficult upbringing, pain or suffering in my youth, I can grow into a beautiful flower, just like the lotus flower grows from mud and dirt and it grows into a beautiful flower. That is really my hope, that I can come from pain and that I can still make something beautiful out of it.”
Aimee Allen’s life is turning out beautifully and so is
her music. Return to our Front Page
Return to our Front Page
This interview by Joe Montague in 2009 is protected by copyright and is the property of Riveting Riffs Magazine ©
All Rights Reserved. All Photos courtesy of Aimee Allen and are protected by copyright ©, All Rights Reserved
This interview by Joe Montague in 2009 is protected by copyright and is the property of Riveting Riffs Magazine © All Rights Reserved. All Photos courtesy of Aimee Allen and are
protected by copyright ©, All Rights Reserved