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Las Tres Sisters Interview Part One
Our conversation
this time focused almost entirely on the nine-year journey to get this
film made with her co-writers and co-stars, Marta Méndez Cross and
Virginia Novello, who were joined brilliantly in supporting roles by
Cristo Fernández and Adam Mayfield. The opening scenes of Las Tres Sisters
seem to set the film up perfectly for the three distinct personalities
of Sofia (Novello), Maria (Cross) and Lucia (Maldonado). “The three of us
wrote the whole movie. It was very collaborative between the three of
us. We used something called Writer Duet and you can be writing at the
same time. It is kind of like a Google Doc only for screenplays. Someone
could be doing a scene and then another person could be behind her
saying I am going to tighten it up. We would be doing things like that.
It was great. We based the characters on pieces of us, but
that doesn’t mean that every line that Lucia said I wrote. It was this
is where I want my character to go and I think this. Then we would help
each other out. We would write for each other. Sometimes we would go in
and go this is how Lucia (Make sure you pronounce this name right.
Watch the movie and you will know why!) would say it. We say they
are cartoon versions of the unhealed versions of us. What would have
happened if we hadn’t worked on ourselves. Marta’s character
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Tawny Ellis - Edge Of The World
It has been five
years since Tawny Ellis released her last album and there can be many
reasons why, especially with someone this busy. She opens up, “Honestly, I think I got really
gun shy. Something shut down on me, because I had worked on that album
for quite some time. I released it in 2020 and I had signed up to go on
tour in Europe and open for a really great artist over there. They shut
down the whole world (due to the COVID pandemic). The day that I
was supposed to get on the plane to go to the U.K.
to hook up and go on the tour and to play all of these shows they
shut everything down and nobody could go anywhere. I felt like I had
just flown a plane into the mountainside. It was horrible. We had packed
everything and promoted and all the gigs were laid out. I am a really
sensitive person and it was so hard. You can’t really
re-release an album and I got really disenchanted with the world at
large. When I went to write I felt like I had so much to say, but I
couldn’t figure out how to say anything. I couldn’t really relate to
humanity. I felt like they were at each other’s throats in so many ways.
Everybody was turning on each other. I (became) really disillusioned and
so I started writing some things three years ago and I couldn’t really
catch fire with finding my voice. I did not want to not write about
things that were important and pivotal, but I didn’t want to be brow
beating or anything. I had to find a magical
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Electronic Firefly
Electronic Firefly
website
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Anna Carvalho Loves Monsters
Seeming to have
several projects on the go all at once, we decided to ask her about two
of them. “One of them is a
series that we started in 2023 and it is a horror series. It is
(comprised of) Portuguese tales that were in a book that was launched in
2023. At that time, we realized in Portugal there were not a lot of
women working in horror. In Portugal horror is stigmatized a little bit.
One of the women (working in horror) was me. I was the producer and
director. My collaborators are Isabel Pina and Sandra Henriques. We thought let’s adapt some of these tales and create the monster, kind of based on Frankenstein. It was working all of these tales and finding out what they have |
Sabrina Culver - Actress & Producer
As this goes to
publication she was beginning to shoot a television series, but that is
under wraps and for another day. Sabrina Culver
grew up near New York City, but now lives in Amsterdam, the second time
in her life that she has made Europe her home. Much of her early
creative interests were inspired by her father who played piano, sang
and acted. “He really
encouraged my sister, brother and me to be involved in the arts. My
brother was not as interested, but my sister is a great pianist. She is
probably better than I am. I used to sing Broadway show tunes
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Paul Rappaport - Behind the Curtain
“That
is what I was trying to do. This was a very magical time, and I wanted
to share these stories and for the readers to have fun, like I had fun.
I wanted them to have the experience that I had. Somehow, I was
(blessed) with a photographic memory, because as you know from reading
this book, I am talking to Mick Jagger, Keith Richards and David Gilmour
and all of these characters. I wanted it to be that and thankfully
because of this memory I can recall conversations. I can envision where
I had the conversations, what the room looked like, and I know what the
backstage looked like. I have this capability. I wrote it that way,
because I wanted people to experience as close to that (as possible) and
I wanted to make it entertaining in that way, so that you would be right
in the conversation with these people.
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Alexandra Dean and the Judds
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Jesse and Noah Leave Love Alone
We jokingly asked
them about the song “Leave Love Alone,” and if it was a reference to a
relationship that went sideways. Jesse replied,
“That is an older song, so I don’t even remember. I started that song
with Simon Bruce, an Australian singer and songwriter who lived here in
Nashville for a while. We halfway finished it and he and Daniel Tashian
finished it and then it came back to me. Daniel was going to put it out
and then I didn’t hear anything for a while and so I thought I would
just throw it into this mix of songs that we were doing for our next
session. We thought we could do a pretty good job on it. We recorded it,
got it ready to go and he ended up putting his out around the same time
or maybe a couple of weeks before or something like that. He released it
mostly in Australia. I guess it is worldwide, because of streaming. The songs ended up
being so different and with different audiences, so they didn’t really
clash.” Produced by Pino Squillace, engineered by Brandon
Henegar and recorded at the House Of David Studios in Nashville the song
is a Country song, with Rock influences and excellent musicianship.
Those who have followed Jesse and Noah over the years, should not be
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Macartney Reinhardt - New Song
Macartney
Reinhardt describes this experience as, “I have co-written before, but
this is one of my favorite ones that I have ever done. I was on
Instagram one day and Stone messaged me saying I would love to write
with you and then he brought in Kylie. The first song the trio wrote
together was “Cowboy Without a Conscience,” released earlier this year
(2025). We really meshed from the beginning.” Although the song has a summery feel to it,
don’t let that fool you, because with a big smile on her face and her
dimples showing Macartney Reinhardt says “Two
Ships,” was written on one of the few days of the year when it
was snowing in Nashville. “I wanted to write a song about when you go
from being so close in a relationship and then after the relationship it
(feels) like you never knew that person. That has always been a strange
thing to me, how you can go from every day being with somebody and being
so close to him and then a breakup. It is like you don’t know him. Then
Kylie came in and she said I have this idea called Two Ships. She
asked do you think we could combine those. I said yeah, definitely. She
had taken it from Two Ships passing in the night that Henry Wadsworth
Longfellow poem. We just started working off
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Lucy Gale - It's Never Too Late
Songs like “It’s Never Too Late,” seek to rekindle
how love first felt or perhaps get back a love lost, and the
breathtakingly beautiful “Turn Up That Love Song,” remind us of
how we felt or may still feel when we are so in love with another that
those emotions and feelings burn within us. This latter song should be
in a scene for a movie or series, so pay attention music supervisors.
The song is beautifully sung, arranged and orchestrated. Rather than
overpowering the singer, as so many instrumentalists sometimes do, the
musicians compliment Lucy Gale in a way that if you close your eyes, you
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Ágota Dunai In the film Fight and Flight,
Ágota Dunai
says, “I played a flight attendant. I had flight attendant experience
before in another film, and they chose me,” Although she had a minor
role in the film she says, “I really hope it made it to the film. I
haven’t seen the film yet. There was one scene when the plane starts to
crash and there is a lot of shaking and someone falls down. Then I go
to the (person) and help him up. I ask if he is okay and ask if he needs
medical help. That was my speaking scene, but in many other scenes I was
packing, sorting and helping with seatbelts. Also, when there were fight
scenes, I was trying to protect the other passengers. There is one scene
when somebody gets cut with a chainsaw and there is fake blood scattered
on me. There are a lot of action scenes. I (also) worked with Josh Hartnett in The Fear
Index. It was nice to work with him again.” With impeccable English, proficient in German and of course her
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Actor Ruben Yuste
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Robert Watts - Album Interview
It is a collection of songs that he describes as,
“Indie Pop. The album BloodWork was named, because of the copious
amounts of liquid that have exited and entered my body in the last year.
Also, BloodWork is the composing and the writing and all of that.
For me it is like my blood and something that I am very attached to. On
the inside of the CD cover there is a picture of one of my heart
graphs.” Robert there is obviously more to this story. “The making of the record was brought to a halt
when I had emergency heart surgery last year. I am one hundred percent
now. When I got out of the hospital and I started feeling better is when
“On & On,” (the song) hit me. I had five or six songs ready and some of
them I ended up using and some of them I didn’t. “On & On,” just is one
of those songs that came out really easily. “On & On,” although lyrically is not a hopeful song
lyrically, has a musical vibe that is more upbeat running counterpoint
to the lyrics. The song “Otis,” is a nod to Otis Redding, “It is just a mashup of his
(Otis Redding) titles. I had that idea and I had the guitar riff going
and I thought it would be cool to do almost a tribute song to him.
Almost every (line) in there is from an Otis Redding song title or line.
It just came together and I was very happy with it. A lot of that is in
there (“Sitting On the Dock of the Bay”) (He quotes some lines), “The
tide rolled away and never came back in. The loneliness lingered with no
sign of the end…”
There is a sadness and a longing (in Otis Redding’s songs) that appeals
to me emotionally, “he explains.
Most
of the songs for BloodWork were written two years earlier than
when the album was recorded. “After These Fine Moments (a previous album) we (and Hilary Kaufmann) went on hiatus and we retired from playing live. Then I had all of the health issues. I thought man I have to do something. I had always tinkered with writing on the side here in my studio. I had some friends who knew what they were doing, came over and they said you need to do this and that. This needs to be setup a certain way. It was a big learning curve. I felt pretty confident by the time I was done,” says Robert Watts. As to whom he thinks the album will appeal, he ponders the question for a moment, before answering, “Music affects people Read More |
Peter Holsapple - Face of 68
Peter Holsapple says, “I am extremely proud of
the new record. The songs that make up The Face of 68 are largely
songs that were written after the release of Game Day, my last
solo record in 2018. What happened was my friend Carlo Nuccio from
Continental Drifters passed away from cancer in 2022 and I don’t grieve
very cleanly, so I wrote a song. Actually, I wrote a couple of songs,
but the song “Larger Than Life,” that I wrote and cut, felt good. I
thought it had been a few years, maybe the statue of limitations had
been lifted and it would be okay for me to do another record. I had a folder with about fifteen or sixteen
songs and I thought maybe there is something in here. Then I got Don
Dixon (producer) on the case and I wanted to do it different than
Game Day. Game Day was all me and that was fine and I don’t
have to do that again. I wanted to do it with this rhythm section and I
got a crack team, Rob Ladd (drums) and Robert Sledge (bass) and made it
a very tangible record. We could feel it coming out of the speakers, at
least if you play it loud enough, which I do.
I suddenly had a bunch of songs and I had a studio (Overdub Lane) six
minutes from my house. I had a producer in Don Dixon whom I dearly love
and have loved for a million years. I had a great engineer whom I had
worked with Jason Richmond. He had done the engineering for The Paranoid
Style stuff, the band that I play guitar with these days. It all came
together and pardon the pun, but we did it in record time. That really
felt good too, I didn’t have a lot of time to second guess myself. I had
Dixon taking that role. All I had to do was show up and sing my stupid
songs into a microphone and then we had a record. The studio is in
Durham, North Carolina.
I love working with Elizabeth Nelson and Tim (Bracy both of The
Paranoid Style). Elizabeth is a very singular songwriter. I never
got to work with anybody who is this interesting of a songwriter. If you
give a listen to a few of the songs on the Interrogator you will
immediately understand why I am saying that. I played on Interrogator
by The Paranoid Style and I have a guitar solo that I am very
proud of on that.”
From our perspective the song “Larger Than Life,” is the centerpiece of
the album The Face of 68, with thundering bass riffs, a great
melody, and drummer Rob Ladd laying down a strong foundation. We
particularly liked Peter Holsapple’s vocals on this song.
In many ways the song is reminiscent of 1970s Cream and Jeff Beck
or Deep Purple’s Smoke On the Water (from the Machine Head
album), with less gritty vocals. In fact, have we said how much we like
Peter Holsapple’s vocals on this song? The song ends on a spectacular
guitar solo by Holsapple.
“(The song) “Larger Than Life,” is about my friend Carlo Nuccio,
who was the drummer and founder of a band I was in for many years
called the Continental Drifters.
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Wine and Jazz Adventures
Mindi Abair sat down with us one afternoon recently to chat, “At the
very end of 2019 my husband and I kind of had this ah ha moment. We came
together and said we both have dream jobs. I get to go off with my band
and travel the world and to make records. For all of all his life Eric
has run really amazing wineries, so he would go off to Kendall-Jackson
or he would run Mountain Napa (winery). We both had amazing jobs, but we
said let’s get out the whiteboard, the marker and a bottle of wine and
see if we are truly living our best lives. It may sound trite. We wrote
down what was really important to us and what we loved to do. We wanted
to be together and we wanted to share his passion for wine with
everyone, with people, instead of corporations. For me I wanted to
expand my world in music to places outside of the U.S. more and play
with different artists, explore and expand. We came up with a company
that was the best of both of us. Obviously, he is the wine and I’m the
Jazz.
We don’t have to be anything we are not, but obviously the combination
of wine and Jazz is pretty spectacular. Eric and I have been together
about fourteen years now. It is awesome to fall in love with someone,
but it is even more awesome when what he does for a living completely
compliments what I do for a living.”
So, when did this all start?
“We started
our little company at the end of 2019, with the idea being we would
make eight wines each year. He hires winemakers like I hire
musicians, because he knows everyone. You and I as civilians can’t
do something like that, but he can and that is his world.
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Audray
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Paula Parducz - Actress
She is cerebral, talented, at home in comedy or
dramatic productions, but leans more to drama as a preference, which we
will explain in a bit and she shared some insight to that side of her
acting while discussing the role she played in the theater production
Beauty, directed by Carna Krsul. “My favorite role is Annabel in Beauty.
I liked it because it allowed me to (get into) a vulnerability that I
really had not explored before, because in a way it touched a part that
I really had not dug into (previously). She (Annabel) stepped out of her own shell. She
is afraid of going out (Annabel is agoraphobic), but she is masking that
by looking young and
pretty. It was very powerful on stage and it was always interesting to
feel the reaction of the people when they could see the mask dropping,”
she says.
We wondered about the dynamic of an actor performing in front of an
audience and in the role of a character who had difficulty with mixing
with others and certainly Annabel would never have performed before an
audience.
Paula Parducz
explores that dynamic with us, “You are the actor, you know the story,
you know what is happening and you know what is coming, but the
character doesn’t. A Mexican director
Luis De Tavira
said actors
have the ability to be and not be at the same time. I am the actor, but
I am not the actor I am the character, but I am not the character. You
are and you are not at the same time. There are moments when you truly
forget yourself and you are just the character. It is a very interesting
dynamic. You can also see the reaction of the audience and that is why I
like theater the most. You have the people there and you can perceive
when (they are engaged) and you know when you are losing them. You know
who is connected and who is not.”
Beauty was the third play that she was cast in by Carna Krsul, the
others being the first Most Budapest in 2019 and then Square
“Most
Budapest
(2019) was the first one, then Square in 2021, before we did the
third one, Beauty. I found a casting call online for Most
Budapest. Carna is an amazing director and she is a lovely person
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