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Rachael Sage - Interview
The
first single that was released from Rachael Sage’s upcoming album
The Other Side is “Whistle Blow,” a beautiful, retrospective song
with a slow tempo. It is accompanied by an equally beautiful and
artistic video. Under the direction of Jenny, He and with the Director
of Photography Daniel Cho onboard, both seemed to be in complete unison
with Rachael Sage’s lyrics and music.
She talks about the song, “One thing I wanted to convey with “Whistle
Blow,” is that moment when someone is able to find the inner strength
and to summon the courage to confront someone in a greater position of
power, whether it is in a workplace or in a relationship, when they know
that inappropriate boundaries have been crossed. When they have been
abused or wronged in some way. There are innumerable examples of this
every day when we watch the news. I have also experienced these dynamics
and just as a witness in society I see it recurrently. The story in the
video is interpreted through movement by the wonderful director Jenny He
and (we) were able to convey that specific moment when a human being is
able to say ‘No this is not right. I am not going to accept this anymore
and I am moving to a more positive space and away from this negative
energy and negative person.’
I had not worked with Jenny before, but I saw some examples of her work
and I was blown away. I have never actually worked with a female
director in this capacity and it was exciting for me. She is very
talented and she trained at NYU. When we talked, we had a lot in common
and we shared a feminine sensibility and a specific sensitivity to
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Fiona Joy Hawkins - New Music
It was time to get caught up with Australian composer, pianist and
vocalist Fiona Joy Hawkins, as the last time we sat down with this
affable and talented lady was in 2020. We connected with her at her home
in Kendall, New South Wales, Australia. Although you do not often hear
her mention it, Fiona Joy Hawkins has performed in some of the world’s
most prestigious music venues.
Our conversation on this day, however, takes us far from those concert
venues and to the Arctic and how she has combined her music with nature
and video.
Acknowledging that her trip to the Arctic was a life changing event, she
says, “Absolutely,
it was probably the best time I ever had, and it was such an eyeopener
with the beauty there. I want to do it again, but there are so many
other things I want to do. It really made me aware of the problems there
and aware of the power of music and the power of suggestion. I was on a
boat that was full of writers, biologists, photographers and politically
involved and motivated people. We had really
famous political people and I can’t even say who. When I met all of
these people I said, all I could really do is my music. There is nothing
more that I feel I can do to help these situations. They said to me, in
some ways you can do more than many of us.
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Tim Easton - I've Been Everywhere
Roll
back the decades and imagine busking on the streets of numerous European
countries, at a time when travel was easier in Europe or counting among
the places where you either lived or spent a great deal of time in your
childhood and adolescent years, Ohio, Japan and Canada. It therefore is
not a great leap of faith to understand why musician, singer and
songwriter Tim Easton so easily embraced his nomadic music lifestyle
early in his career. Fittingly enough, during our conversation, Tim
Easton was on his way from Nashville through Kentucky, while on his way
to Ohio for a gig. Do not worry folks he was handsfree the whole time.
No, not on the steering wheel on the phone! Wait you are
thinking you said Tim was originally from Ohio, Akron to be precise.
Well, he has also lived in Los Angeles and Joshua Tree, California and
the aforementioned Nashville, Tennessee. It is almost as if Gene Mack’s
1959 song, “I’ve Been Everywhere,” was written for him. Rather than start with the first song from the
new album Find Your Way, we are going to begin with the last
song on the record, one of the prettiest and most tender songs you will
hear, “By The End of the Night.”
“Today when a songwriter is recording a song, he just turns his phone on
and records whatever he has in a voice memo. That is why most of us
songwriters will have 170 voice memos of half-written songs. It is
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Evie Sands
Evie
Sands started her music career (writer puts hand over mouth and
mumbles, as it is never polite to discuss a woman’s age) that many
years ago, but you would never know it from her new album, her vocals
are crisp, the music more imaginative than many of today’s artists, and
that is not a slam on today’s musicians and songwriters, but rather a
nod to Sands. If you were not aware of all that Evie Sands has already
accomplished during her career, you might think she was just starting
out, because of her unbridled enthusiasm.
We wondered how she has managed
to stay on top of her game and with such a contagious, positive and fun
attitude.
“I trust in the music and then I let it go. I think it is probably a
combination of things. It is my ongoing and will be forever, my insane
passion for music, about making it, listening to it and breaking it
down. I enjoy it, but I like to figure out what is that stuff sonically,
what is going on and it is the enjoyment part of it. It is just ongoing.
It is just like I was born, and I started listening. I just get excited.
Then there is the striving to continually get better and all the skills
that are involved, whether it is continuing to be a better singer, a
better songwriter, better composer, a better musician, a better producer
and engineer. It drives who I am. |
Sylvia Hutton
Nature
Child - A Dreamer’s Journey
released recently by Sylvia Hutton, better known to music fans all over
the world as the American Country Music Award, Billboard’s # 1 Country
Music Female Artist and Grammy nominated singer Sylvia, is one of the
most beautiful collections of story songs you will hear this year. With
numerous # 1 and top ten hits to her credit, the former RCA artist, who
has for many years recorded as an independent artist, once again
collaborated with longtime friend John Mock (Dolly Parton, The Chicks,
James Taylor, Kathy Mattea). Other co-writers includes Verlon Thompson,
Craig Brickhardt and Thom Schuyler.
The opening song for the album “Avalon,” transports the listener to
Camelot and the days of King Arthur. Sylvia and Verlon Thompson wrote
“Avalon,” a beautifully orchestrated song with lush vocals by Sylvia.
For any child, any teenager, any adult whoever wished you could close
your eyes and open them to find yourself in a magical place, Sylvia
invites you to take her hand to travel to a place where the walls are
made of freedom and every tear becomes a shining star.
Normally, we would not credit so many musicians, but they earned their due on “Avalon,” guitars, both electric and acoustic by John Mock, as well as mandolin and percussion. Matt McGee played bass, Skip Cleavinger played the Uilleann pipes, oboe by Somerlie Pasquale, Emily Bowland on clarinet, trumpet (Jeff Bailey), French horn (Jennifer Kummer), violins by Conni Ellisor and Mary Kathryn Van Osdale, viola (Betsy Lamb) and cellist Nicholas Gold.
About the musicians,
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Madeleine Davis - One of a Kind!
If
we told you that Madeleine Davis has lived a life full of adventure some
might easily argue that is an understatement. She grew up the daughter
of a Gospel singing mother, and a pharmacist father in Columbus,
Georgia, near the Chattahoochee River, with one sibling, a brother at
home and a sister eighteen years older, who had pretty much left home by
the time Madeleine appeared on the scene. Madeleine Davis had a lengthy career with Boney M (By the Rivers of Babylon, Rasputin) and a small sample of her work in the studio and / or live performances includes artists such as Precious Wilson, Hoyt Axton, Peggy March, Terence Trent D'Arby, Rick Astley, Klaus Doldinger, La Bionda and Amanda Lear. She was in demand by producers such as, Ralph Siegel, Tony Monn, Michael Kunze, Sylvester Levay, Giorgio Moroder and Frank Farian. She sang in church as a young child, acted on stage as a teenager (there is a motorcycle story we will get to in a minute) and she was a soloist with the Atlanta Symphony Orchestra, while still in university.
“My father was a lot older than my mother. He was fifty-nine when I was
born and he was seventy-five when I was eighteen.
I grew up with a father who was in World War I. He had so much
information for me when I went to school. When he was a paperboy the
Titanic sank,
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