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Hayley Sales - "Like Never Before"

Hayley Sales Photo front pageRarely in this century has an individual come along who possesses the ability to equally amaze others with her acting and her musical talent to the degree that American / Canadian Hayley Sales does. It has been an incredibly busy late summer and early fall for the affable Hayley Sales, as she recorded one album, is recording another, shot a film and a television episode and in the midst of all that she also got married.

Sales, took time out from her busy schedule to sit down with Riveting Riffs Magazine to discuss at length her album Slightly Out of Tune, which will be released in the spring of 2019 (She has posted some songs on YouTube), her twin careers and to share a little bit about her life.

The self-described romantic co-produced her album (and yes she really does know her way around a recording studio) with her father Richard Sales, known for his work as a producer and sound engineer with the Grateful Dead, The Ramones and Miles Davis. The songs on Slightly Out of Tune range from those that invite the listener to dance, such as the opening track “I Don’t Believe,” and the retro infused “Waiting It Out,” backed by a stellar horn section and the soulful “Out of Tune,” to her romantic love letter “Like Never Before,” co-written with Sharon Stone.

Often punctuating our conversation with light laughter Hayley Sales talks about her musical influences, “I have always been in love with Judy Garland who was my first influence. When I was  Read More

Interview with Brad Cole

Brad Cole Front Page PhotoWhen you listen to Brad Cole speak, the casual way in which he talks about his own accomplishments and the gratitude that he expresses would lead the uniformed to conclude that he is just a guy trying to find his way in the music world. That is unless, you already know enough about Cole to ask him about being the musical director and keyboardist for Phil Collins for twenty-eight years or his work as a musician, sound engineer, arranger and producer with a star studded array of artists that includes Paula Abdul, Gino Vanelli, Dave Koz, Michael Bolton, Darlene Koldenhoven, Rita Coolidge, Brenda Russell, Peabo Bryson, Al Jarreau and the late Natalie Cole, as well as numerous others. Brad Cole who as we write this is in the midst of a North American tour with Phil Collins, took time out recently just prior to his leaving for the tour, to talk about his career.

Brad Cole grew up in a suburb of Philadelphia and despite the fact it was a burgeoning scene for Doo Wop, Pop Music and Rhythm and Blues in the late 1950s and throughout much of the 1960s, Cole was drawn to music far removed from what most people his age were listening to at the time.

“That is a somewhat amusing part of it, because when I was a kid after a certain time I had no interest at all in listening to AM radio and bubble gum Pop music. Even The Beatles and stuff I became a real snob about. I was a Jazz purist and a Classical purist and I was that way for much of the rest of high school. By the time The Beatles’ Abbey Road came out, which was 1969 that is when I started getting reacquainted with mainstream Pop and Rock. I also liked Cream (Eric Clapton, Ginger Baker, Jack Bruce). I came back to it,  Read More

Fiona Joy Hawkins Interview

Fiona Joy Hawkins photo for front pageFiona Joy Hawkins is the owner of Q Pop Up Gallery in Australia, but you know her best as being an amazing Neo Classical / New Age and Contemporary Instrumental Music, pianist and composer, who doubles as a member of the ensemble FLOW and in collaboration with musician (also a member of FLOW) and producer Will Ackerman co-produced an award winning debut album for American artist Jennifer DeFrayne. Fiona Joy, as she is sometimes referred to is also a visual artist and some of her own paintings are featured in the gallery.

Elegant while seated in front of her piano, vivacious while doing this Skype interview and giving us a tour of her gallery and down to earth enough to have become the mother to numerous orphaned Joeys (baby kangaroos), one immediately recognizes the deep connection between nature and her music.

“The love for nature and animals has always been there from when I was a little girl. I used to bring home strays all of the time. I would land at home with a cat or a dog. I would find a dog with a broken leg or a bird with a broken wing or that was starving to death. I have always had a lot of animals. When my kids were growing up I was a wildlife information and rescue officer.  I took some courses about kangaroos, so I was able to hand raise joeys (baby kangaroos). When the mother is killed and the joey gets thrown from the pouch someone has to raise it and that is something that I did. It was a volunteer job, but I loved it, because I love animals,” Read More

Charlie Faye & The Fayettes

Charlie Faye and The Fayettes Photo for front pageGet ready folks, because coming your way in early February (2019) is a sensational and fun album by Charlie Faye & The Fayettes. The new record is The Whole Shebang, literally the name and the listening experience. The trio of ladies from Austin, Texas, boasts great harmonies, led by Charlie Faye and supported by her Fayettes, BettySoo and Akina Adderley. Influenced by girl group of the sixties and Soul from the sixties and early seventies they are so good that listeners may find themselves saying I am sure I have heard this song before somewhere and assume the trio is merely covering songs from yesteryear and yet that is not the case, as these are all original songs.

“In fact that happened at a show of ours last weekend. Someone who wasn’t really familiar with us, came up to us after the show and that person said I thought these were all songs from the sixties until you said something about that you had written all of these songs. I think that happens a lot,” says Charlie Faye.

The Whole Shebang opens with a song co-written by Charlie Faye and Bill Demain, “1-2-3-4,” feels like it stepped out of the sixties, but more importantly resonates with the audience in 2019. The first four lines recall that feeling of meeting “the one” with “1,2,3,4, That was all it took / A heartbeat and a look, and I was so gone / Felt my whole world tilting left and right / And suddenly a light just came on”

It is easy to imagine being at a Charlie Faye Read More

Give Up Your Ghosts - Rebecca Loebe

Rebecca Loebe Photo OneWith the recent release of Rebecca Loebe’s fifth full length album Give Up Your Ghosts she has sent a clear and powerful message to the music community that she is a singer and songwriter to be reckoned with. Her vocals are pristine, her phrasing is impeccable and her songwriting draws you in as she paints vivid word pictures.  Loebe (pronounced Low Bee) was born in Arlington, Virginia, her family moved to Atlanta, Georgia when she was eight years old, she was schooled at Berklee College of Music in Boston and she now calls Austin, Texas her home. She took time out from her rigorous North American and international tour schedule to talk to Riveting Riffs Magazine about the record Give Up Your Ghosts and her career.

“The record is called Give Up Your Ghosts, because it is about what is holding you back or what is no longer serving you. That is the global theme of the whole record. It is pulled from specific lines from the song “Ghosts,” which are “Give up all of your ghosts / At least the ones you love the most / They were never holding you as close / As you were holding them.” That song came together pretty quickly in the writing process. Some songs I labor over for many months, but this one was a stream of consciousness writing experience. It felt like I was writing gentle instructions to myself for how to be happy, how to handle my life right now and how to handle (times of) feeling overwhelmed by the world at large. I just have to remember to relax and to chill out a little bit. I feel those lines in particular are about letting go of your fears or these giant roadblocks that you see ahead of you, because often they are really only in your own  Read More

Kaitlin Wolfberg - Rising Star

Kaitlin Wolfberg Photo Front PageKaitlin Wolfberg may not yet be a household name, but the people in the Los Angeles music community know who she is and she is highly respected. She appeared on stage playing violin with H.E.R at the 2019 Grammy Awards. It is Wolfberg’s versatility and her ability to shine that have seen her garner praise for her playing (violin and viola), as a conductor, arranger and composer. Oh and did we happen to mention recently she donned the producer’s hat and she also sings. Could there be drums or an electric guitar in her future? We do not know, but Kaitlin Wolfberg did have this to say about her appearance on the Grammy Awards stage.

“Working with H.E.R. and her team on her Grammy Performance was a real treat. Everyone wanted to make the performance perfect and we were all on the same page. So much positive energy swirling around that performance, it was a very special, inspiring and memorable moment for me that I will treasure forever. Also, being on that stage, in front of The Academy and so many legends was certainly a humbling experience.”

Perfect is not a word that you hear very often when Kaitlin Wolfberg describes one of her musical endeavors, as she continually seems to be pushing herself to achieve a higher level.

When asked however, which of the many areas of music that she works within that brings her the most satsifaction she says, “Lately, I get a lot of satisfaction out of arranging and making Read More

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