Riveting Riffs Logo One Tawny Ellis - Edge Of The World - Part Two
Tawny Ellis Interview Part Two Photo One

 

So, why Edge of the World Tawny, both as the title of the album and titular song?

“After listening to all of the songs, I just thought it was the most universal song about how people are feeling in the world right now. My experience of being in Big Sur California and I don’t know if you have ever driven that coast, but the song was inspired by a trip up there. I almost called the album The Beauty and the Danger, because many years the road collapses in certain parts. When you are driving you are (both) over the water and it is so far down. It is so beautiful and then the fog rolls in. It is absolutely one of my favorite places in the world. You are in awe of the beauty, but it feels super dangerous at the same time,” she tells us.

That however is not the title she chose for the album.

Tawny Ellis Interview Part Two Photo TwoContinuing, she explains, “When I think of Edge of the World, I feel like you can either have superpowers and fly or you can just be done. You could fall into the rocks and it is over. I feel like that is how we are in the state of our entire universe. Being a human on this planet are we going to come out of it as the plane is about to crash and is everything going to work out okay or are we going to crash into the mountains.

It is also a very personal song. It is a confession. It is like you wake up and you feel as though the whole world has forgotten you. I am nowhere. I felt like that for many years after COVID, because I couldn’t find my voice. I was disenchanted with the whole world. When I drive up the coast I lay in the sand. You get a perspective. Those granules, that sand that you are laying on they have been there for eternity. So, all of your problems go wow (she makes a motion with her hands indicating they go away). If I am breathing and looking at this beauty that is all I can really see right now. That is why that song was inspired.”

Every true artist learns something new about themselves, discovers something they may not have known or acknowledged about themselves while they are in the process of creating, no matter the artform. We wondered what Tawny Ellis learned about herself while writing the songs for Edge of the World. Perhaps in Tawny Ellis’ case it was not so much something that she learned, as it was a part of her life that she revisited and had the opportunity to reflect upon, as in the song “Terry.”

“I think for me it is the way that I can turn something that is hard or sad for me into something that I can share (with others). It is like alchemy. I think I am an alchemist. I turn (one thing) into something else.

Literally, on the day that my friend Terry Ellsworth died that song on the album (was written). He was just one of my best friends. He was this miraculous amazing friend. He lived in downtown LA. He was the godfather of the whole arts scene down there and I was part of that.

My husband had brought home the dulcimer and as I was messing around with it, I got the news that Terry had passed. I was only on the phone with him a month before that. He told me he was going into the hospital for dental work and I thought something is up. He had cancer. He didn’t want everybody to worry, so he didn’t tell anybody. My heart broke into a million pieces, because of how much I am going to miss him and how important he was to so many people. His miraculous personality and the gifts that he continued to give everyone. He said I’m the richest man in the world and he lived literally in a little tiny room with a bathroom down the hall at the American Hotel.

He said he was the richest man, because of all the people that he knew and the friends that he had. He worked at the art gallery and theater down there. It is called Art Share L.A. I have played there many, many times. (She laughs and says) I really believe he was my number one fan. He just got me.

I turned my sorrow into something beautiful, and I get to play it for all of his friends, everybody that knew him downtown. They got something beautiful out of it, by remembering him.

I have many other important people that have been in my life and they don’t get a song about them! Somehow Terry got a song about him. It just came out. It is a very elusive thing. You never know. I have a bazillion ideas (She starts waving her hands for emphasis) There is so much shredded paper and there is this idea and that idea. You never know which thing is going to become a real thing. Sometimes I will listen back to voice memos and I will go, why didn’t I finish that song? It is amazing how one little clip of an idea can blossom into a whole thing. Other times you think you really have something and it just doesn’t (happen),” she says, each word or phrase seemingly weighed carefully and introspectively.  

Sometimes you will see an artist put out a single or more often an EP, but Tawny Ellis explains her approach to music, “I like having a body of work. There is that pressure, because you have to have nine or ten songs. There is a little bit of that, but it only becomes that kind of pressure if you have to write a song. I had so much bottled up. I was blocked, because I couldn’t find my way through it. I didn’t want to be negative. I was trying to dissect and figure out. A lot of those songs came out of the magical part of me. It is finding what is underneath the pain and then pulling that magic up. The songs are in the instruments or they might start from me. Sometimes I will be walking across the living room and I will hear a melody and words will be right there as well. I have to sing it into my little voice recorder. It is all different ways really.

For me I really wanted to get a body of work out, so I could do what I am doing now, which is change the channel and let all of that speak for who I am and where I am in my life as an artist. Now I get to come out of the studio. I don’t want to be eternally in the studio. I am not one of these people who is like hey let’s record all week and then let’s go play gigs all weekend. I can’t do that, because the main person in my band is my husband and he is making guitars and amplifiers all week. He needs support in that. He’s the person I want to play with. He is the person who has been playing with me since the day that we met. He understands me too. He is so talented (big smile) and he is just so good at everything that he does (you can hear the pride in her voice). He is a great producer, a great musician, but his business is so demanding. He is the one that I want to do it with, so I have to be very strategic about it.

Now we can just be in performance mode until I am ready to write another record and I have no desire to do that for a while. I am done for a little while.”

As we mentioned in Part One of this interview, Tawny Ellis is artistically talented in so many ways we wondered why music won out.

“There is no rational reason other than there is a fire inside of me to express myself in that manner. I was quite successful at jewelry making and I have been very successful with making my living as an actress, as a young person in LA. I made a handful of movies and I was on TV shows. When I first came out to LA all I wanted to do was to play music, but I didn’t really know anyone and I met this woman who was a manager for actors and she convinced me to go to acting class and the next thing I knew I was on movie sets, playing roles. I was in a lot of pain in my heart, because it took up all of my time, because all I really wanted to do was to pursue music. I sacrificed a lot to play music. I know it is crazy. I had a friend say to me the other day that is the hardest thing you can do. If it is in you the way it is in me you don’t really pick it, you just need to do it.

There used to always be three things, I’m acting, I’m writing songs, I am in a band, I am making jewelry, I am sculpting. They were always the three things that I was pursuing all at once. I had to pull myself away from acting, so I could get myself in the place when I was playing in the clubs and really pursuing my music. Acting made me feel very vulnerable, because you don’t know what is going to end up on screen and what is going to be edited. There are so many people telling you what to do. Tawny Ellis Interview Part Two Photo Three

I can’t do it all at once. These little segments of my life, I was a jewelry designer. You have to pick. All of it gets me excited. I have a talent for making things obviously, three dimensional things. What really inspires me is telling stories. If I can tell my story that for me is where the spark is. I don’t care if people like my sculptures or not. I don’t really have an ego about a lot of the other stuff I do. This is important to me that I connect. There is so much in music, the textures of the instruments, the rhythms and the cadence of it. There is so much delicious stuff in music and it is so powerful. I think it is a really incredible communications tool. It absolutely brings people together [She repeats absolutely for emphasis] beyond anything else. I really believe that. It has that power.

With music I am in control. There is nobody doing my makeup or making me look this way or that way or telling you what to wear and that is why I have been independent for so long. I just feel like I am in charge and I get to choose what I sound like, who I am and what message I am bringing. It has nothing to do with anybody else, their script, their words or their whatever.

I loved acting class way more than I ever liked working on a set. I don’t pursue acting at all, but every once in a while, someone will say hey will you play this part. I will be okay. I was invited to play a part right when I was sick (June 2025) and I couldn’t, so I had to turn it down. I don’t know if I would have said yes, because I was trying to get my record out. I don’t think I am done. I think that I will maybe act a little bit more in my life, but right now I am excited about playing this record,” says Tawny Ellis.

The song “Bottom Line,” was a collaboration between Tawny Ellis and Laura Cole, both in the songwriting and Cole also sang harmony on the song.

“Bottom Line,” came out of the idea that Gio, my husband has known me for a long time and so my nickname is “Bottom Line Ellis,” because everybody will be like it is this, it is that just in life. Ya, ya, ya. I will then just come in and say it is blah and then everybody goes oh, that is it. I just always bottom-line stuff. It is not always that becoming. I like to cut to the chase. I thought that is a great premise for a song. It is a great idea for a song.

When you go out for lunch and you hear the table next to you, with someone saying (She says this in very dramatic fashion) ‘well he did this and he did that, but I just don’t know (her hands are spread out like that emoji). I don’t know if he is really into me. Guys do it all the time, she was like that. I can’t figure her out.’ I thought I am just going to write a song that asks what’s the bottom line? What’s going on? We don’t need any of these games.

Then we just made up a story. We pulled up past memories of relationships and things and we just had a hoot writing that song. It is so much fun to sing too. I really like it,” she says.  

The mid-tempo “Flicker Of The Flame,” us autobiographical and reflects upon the life of an individual she knew who had a spark and immense talent, a seemingly bright future but then, not to make a pun it went up in flames.

Tawny Ellis explains, “You are partially right and maybe one hundred percent right, but there is a lot more to mention. When I was very young in Hollywood these were the days when I was disenchanted with my acting and I was really trying to pursue my music. There was a person that entered into my life that was the most enigmatic, hottest, most brilliant songwriter and singer. I am not going to say who it is. He had it all. He had the label, the billboards on Melrose (Avenue). He had it all. He had the shows. He had everything.

He was very busy trying to prove how not into that he was and he self-destructed before all of our eyes. He is still around now. I have these little muses that have come along in my life to help me with finding my voice and he was one of those people.

I was in awe watching him play. My ex-boyfriend was his drummer, so I saw hundreds of gigs. I would study him and the way that he wrote songs. I was still trying to get my songs together. He sat down at the piano and he would go you have to have at least three parts to a song. It is like a puzzle. You have this story here and the chorus has to encompass the thing. He gave me the structure of the different parts that needed to happen to make a song work. He was a muse and a mentor. He proceeded to drink too much alcohol and he would get on the stage. If there were important people there like his label, he would start demeaning them and talking bad. Everything that is your absolute don’t do he would do and he (destroyed) his career.

The “Flicker of the Flame,” is not my crush on him, which I definitely had, but it is more that youthful burning. He was obviously chasing fame and wanted it but didn’t think he deserved it or something and he self-destructed. The “Flicker of the Flame,” is that burning desire to make it and to be something in this crazy ass town.

As I have grown older, I think so fondly of those years, because I learned so much watching such a talent. He was up there with you name it. I thought he was better than anybody I had ever seen play. He was so good. His songs were so good. It hurt how good he was. Everybody wanted to be him or to be near him. When I look back at that all of these years later what came to me is it was just a flicker of the flame (she makes a motion with her hands illustrating a tiny bit) that’s left. It is in my mind’s eye. Those times don’t exist anymore. Whatever I can pull out of that story, so it lives on in my heart and  maybe people can relate to that. Maybe a love interest is a flicker of that relationship but it doesn’t necessarily have to mean that. For me it is more about youthful burn and youthful desire to live your dreams. Running around the streets of Hollywood, being wild and trying to pursue your dreams. That is what my life was.

I was like oh you (meaning her) have five auditions tomorrow (her hands illustrate trying to do a balancing act) but I want to stay up all night and write songs. The music won.

We at Riveting Riffs Magazine are glad the music won, because Tawny Ellis is an artist who is truly passionate about telling stories, most of which seem grounded in real experiences either of her own or of others or a combination of both. We would encourage you to check out her website and her music.   Return to Our Front Page

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This interview by Joe Montague  published  July 30th, 2025 is protected by copyright © and is the property of Riveting Riffs Magazine All Rights Reserved.  All photos and artwork are the the property of  Tawny Ellis unless otherwise noted and all  are protected by copyright © All Rights Reserved. This interview may not be reproduced in print or on the internet or through any other means without the written permission of Riveting Riffs Magazine.