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		Alta Mar (High Seas) Final Season![]()  | 
	
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		The insertion of two British spies on a ship where everyone else is 
		Spanish simply does not work. The role of Fabio is stilted and that is 
		not on actor Marco Pigossi and the responsibility is entirely with the 
		writers. It is obvious that Mr. Pigossi if given the opportunity had 
		much more to bring to the role of Fabio. The actor who intrigues us is 
		Eduardo Blanco as Capitan Santiago Aguirre. No matter how misguided the 
		writing is for season three Aguirre brings authenticity to his role, as 
		he did in seasons one and two. Ignacio Montes as Dimas Gómez and Begoña 
		Vargas, as Veronica de Garciá who provided a particularly good comedic 
		and romantic subplot during season one and two see their roles change 
		for the final season. The romantic tension has almost disappeared as a 
		subplot. The character of Dimas is almost nonexistent, but the role of 
		Veronica has been elevated and that is all we will say about that, so we 
		do not spoil this for you. Vargas has appeared in the television series 
		Boca Norte and A Different View and she is an exceptionally good actress 
		that we would like to see more and in a more substantial role. Montes, 
		while still a young actor (28) is a veteran of television series and he 
		is a physical actor who through his body language, facial expressions 
		and tone of voice brings a character to life, without having to be 
		overly demonstrative.  
		For those of you not familiar with the Alta Mar series, in brief 
		a brother and sister inherit a Spanish shipping line (although in 
		seasons one and two we were under the impression it was one ship) from 
		their father. The time is the late 1940s, following the Second World 
		War. Eva Villanueva is a writer who in American terms is very much like 
		an adult version of Nancy Drew. Is she drawn into situations of intrigue 
		or can she just not prevent her curiosity from luring her into these 
		mysteries? She has been from the onset of the series its most treasured 
		asset.  
		The biggest flaw with season three of Alta Mar is the script, 
		which is totally out of character for creators Ramon Campos and Gemma R. 
		Neira. We cannot comment on the writing of Sara Alquézar, because we are 
		not familiar enough with her work, although she is a well-known 
		television writer in Spain.   Since 
		we do not know the timelines associated with the filming of these six 
		episodes, we do not know if the possibility of shutting down the set due 
		to COVID-19 already loomed as a possibility and if the writing and the 
		shooting itself was hurried. Certainly the confusion that arose with 
		Bambuu Producciones issuing a statement earlier in the year that there 
		would be a season four and then Netflix subsequently issuing a 
		conflicting press release that season would be the final season for Alta 
		Mar could have impacted the way these episodes rolled out.  
		The beauty of seasons one and two was that they played like a good movie 
		that you only got to watch in segments. It was lavish, characters were 
		well developed, and the plot was developed carefully and naturally. The 
		new characters to whom we were introduced this year we still know very 
		little about and their roles thrust major characters and middling 
		characters from previous seasons into the background, denying us of the 
		opportunity to enjoy the brilliant acting of Azorin and Rodriquez and 
		much of the time leaving Baquero to carry the show with another 
		scintillating performance, but leaving us wondering, just who is she 
		playing opposite in Alta Mar? Is there a leading man? From our vantage 
		point we would have to say no. The character of Eva is even denied the 
		natural closeness with her sister Carolina that was so evident in 
		previous seasons.  
		This season of Alta Mar seems so out of character for Bambuu 
		Producciones that we are going to suggest, although we are not privy to 
		any inside information, that the shortcomings for this season lay with 
		Netflix.  
		Although, the rumored to be 29,000 square foot set is the same one used 
		for the former two seasons, the sense of lavishness seems somehow to be 
		missing this time around.  In 
		previous episodes, despite the danger, the intrigue, and the 
		unpredictability of the plot you wanted to be on that ship. This season 
		the surroundings seemed to be very much a ho hum experience.  
		The one thing we will say is the suspense element is once again very 
		much in play, but even in the final episode that seems to be very 
		rushed.  
		These actors, all of them are very good at their craft and most of them 
		were not given substantial enough roles in season three to do them 
		justice or to satisfy the viewer. Our advice to Bambuu Producciones, go 
		back to seasons one and two and find out what worked so well in those 
		episodes and then create a two-hour movie. If Netflix is smart, they 
		will pick up the distribution rights and if they are not clued in enough 
		to listen to what their subscribers are looking for then someone else 
		will offer you a distribution agreement.  
		As a final note, this is a disturbing trend in Spain’s television and 
		streaming market for 2020, as earlier this year the wildly popular RTVE 
		television series (later streamed on Netflix), El Ministerio del Tiempo 
		came to abrupt end, while garnering good market share during its time 
		slot. This was also a series that had brilliant actors and actresses 
		most of whom will be forever endeared to the hearts of those who watched 
		the series. 
		 
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