Front Page Rock Interview Archive
Nick Pagliari - Hard Lessons
Reflecting upon that jukebox he says, “That is where my early influences
in music were from in general. I was probably six or seven years old
when my father had that jukebox. We would sit in the living room and he
would play little 45s on the jukebox and we would dance around and sing
those songs. I was really fortunate and it was really, really cool. My
brother who is about three years younger than me has that jukebox. I
don’t know if it still works, but I would love to hear some of those
songs again someday.
There were all kinds of Motown music and I remember specific artists
like The Four Tops, The Beach Boys’ song “Fun, Fun, Fun,” and “Uptown
Girl,” by Billy Joel. My mom was a huge fan of Huey Lewis, but that
might have been later in her car.
All that music was an influence on me and it stuck with me as an artist.
I think when you are that young, in that stage of your development you
are like a sponge. Musically I soaked that stuff up and it stuck with
me.”
Just as he was about to embark on a month-long residency at Geraldine’s
in Austin, Nick Pagliari took time to talk with Riveting Riffs Magazine
about
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Poco - Rusty Young
We were doing a
show in California and this guy Kirk Pasich came up to me afterwards and
he said have you ever thought of doing a solo record? I said not really.
The opportunity has never presented itself. He said, I have a label Blue
Élan and we would love to have you make a record for us. I thought about
how everybody who has ever been in Poco have done solo records, Paul
Cotton and Richie Furay, Timothy B Schmit and Randy Meisner. I thought
it might be an interesting thing for me to do at the end of my career.
It was the best way for me to illustrate my part in the sound of Poco.
If you listen to Richie Furay’s records you can hear what he contributed
to the band and the same with Paul Cotton (and the others). They all
have their style and their songs. It was a chance for me to show what I
brought to the scene. I thought it was a really good challenge at that
point in my life.” Continuing to talk
about the album he says, “The first song that I wrote was “Waiting for
the Sun.” After I wrote it, I called Kirk and I said listen let’s do
this record.
We live in a cabin or a log home in Missouri in
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Sayonara Sorrow - Ben Brown
He says, “The song, “What Will Happen to All
that Beauty,” was inspired by novelist and activist James Baldwin. James
Baldwin was a writer and activist in the sixties and seventies. I was
reading some of his writings a few years ago and the line “What Will
Happen to All that Beauty?” is a direct quote from one of his essays
called The Fire Next Time. At the end of his essay, he talks
about what will happen to the beauty that is blackness. He equates
beauty with blackness. He says what will happen to the beauty of
blackness, in the United States if we don’t reconcile the racial
injustices. He said this in 1968. When I read that line it sounded
profound and like a great title. Shortly thereafter I heard music in my
head that seemed to fit the mood and the tone, so it went from there. I
made a YouTube video with a quote from James Baldwin and some stock
footage of 1960s civil rights activism.”
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A Fragile Tomorrow
We opened our conversation with Sean by asking him to describe the
typical fan of A Fragile Tomorrow.
“We have opened for so many different kinds of bands and we have done so
many different things, that I think there are people who like some
things that we do, but don’t like other things that we do. That is
totally fine. There are people who come to listen to us play and who buy
our stuff, but they are also people who listen to a million different
things.
That is a hard question, because I definitely don’t think there is a
typical fan. One thing that is really cool is we have grown to (the
point) that we also have fans whose music we have grown up listening to
and who we have looked up to. They are also people we have toured with.
We have in some ways become a musician’s band. I prefer that in one way,
because I am a music nerd. There is something (about our music) that
resonates with people who also have musical backgrounds. There is not a
typical fan.
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Electronic Firefly from Spain
The pandemic and for almost three months having
to stay inside their homes, put the debut Electronic Firefly album on
pause. Sylvia and Charlie have recorded music together aside from
Electronic Firefly. Silvia begins by
talking about their music, “We do different types of music and some
covers, because people want to hear something that they know like
electronica, Frank Sinatra, Amy Winehouse and AC / DC are our favorite
types of music. This music is for events and concerts, because people
want to hear something that they know. We also do our own compositions.
We work with a pianist (Rebeca Nayla) and we do a mix of electronic
music and music for films. We are doing our first album and it will be
an album with our songs.” Charlie continues, “We have quite a lot of songs recorded, but this
project with the electronica is new. There are three of us in the group
and it is completely different than anything we have done before.
We have recorded five or six songs already.” |
Katja Rieckermann - Double Release
Katja Rieckerman
first started thinking of recording “Da Ya Think I’m Sexy,” “about two
and one-half years ago. Originally it was going to be an instrumental
version of “Da Ya Think I’m Sexy?” and it was going to be very close to
the original with the tempo and the vibe of it. I wrote a couple of horn
sections for it and we recorded it. I sent it to Rod
for approval and said what do you think?
I said hey Rod what do you think? I am thinking about releasing this
version. Do you like it? He wrote back, yes I love it. How about I sing
on it? I was like wow! That is crazy. Of course, that would be
fantastic. He ended up singing over the original track that I sent to
him. I
thought now I have these newly recorded vocals of Rod and it is too
close to sounding like the original, so I should do
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