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Interview with Charlotte Martin

Charlotte Martin front page photoCharlotte Martin has been a lot of things during her lifetime, a beauty pageant winner and contestant (numerous times), an Opera singer, Classical pianist, she was signed to a major record deal, she is both a private music teacher and she teaches music at a college in the Greater Los Angeles area, but if you asked her what her greatest accomplishment has been and the one from which she has derived the most satisfaction she would likely tell you it is being mom to her son and daughter. If you asked us what strikes us most about Charlotte Martin we would tell you it is her toughness. We are not talking about the kind of tough that comes with an edge or that is confrontational, but rather the kind of strength that wills one through life. She overcame anorexia early in life, for more than a decade she has dealt with considerable physical pain from a condition known as arachnoid neurological syndrome and she has soldiered on with her music career, albeit at the moment she is more focused on the educational and songwriting aspects of it.

Charlotte Martin grew up in Charleston, Illinois the daughter of Becky and Joseph and with a brother six years older. Joseph was a professor of music for forty-seven years and he played woodwind instruments, while Becky was a singer who also taught choirs and music in general.

“I grew up listening to a lot of music. I listened to a lot of Classical and my dad also loved Elvis. My mom was also very influenced by Christian music and I grew up singing in churches. She always sang in the worship band in church and she played as well.

I grew up in a great community for music. The access to music education there is so much more intense than it is even here in California. You would think it would be the opposite. There were a lot of opportunities for me to be involved in things,” she says.

It was not until she reached college that Charlotte Martin started to broaden her music palette, influenced by her roommates who were Classical music major, but who also were listening to music that bordered on goth. Her brother introduced her to Cure and U2 and during the nineties she began to explore the music of Alanis Morissette, Nine Inch Nails and Paula Cole. Read More

Charleene Closshey  Interview

Charleene Closshey Photo Front PageCharleene Closshey has been on a red hot creative streak since the spring of 2018. The cinematic release of the film she produced and starred in,  No Postage Necessary during the summer of 2018  was followed by the release of the soundtrack for the album in October of 2018. Her new orchestral arrangement for the song “I Heard the Bells On Christmas Day,” peaked at # 24 on the AC charts and the Holiday charts in America. The Christmas song is a precursor for the full length Christmas album, which will be released in time for the 2019 Christmas season and it is produced by six time Grammy Award winning producer / sound engineer Brent Mayer. If your head is not spinning by now Closshey is also releasing her album Only Love Remains and as we write this we are getting close to the date for the release of the first single from the album. Charleene Closshey’s short film Perception did well on the festival tour and she received numerous awards for the music she composed for Perception.

We are out of breath after that whirlwind tour of the past year of Charleene Closshey’s career and you probably are as well, so let’s turn out attention to our recent conversation with this multi-talented and creatively brilliant native Floridian.

Even though No Postage Necessary was in theaters during the summer of 2018, it can still be viewed through a variety of means, iTunes, Amazon and through the new media platform Vevue.

Closshey says, “I produced the film with my business and life partner Jeremy Culver. He was the writer and director on this particular script. We opted to produce as well, because we are gluttons for punishment. It was a story we wanted to get out there in an efficient (way) and with a very quick turnaround. The concept came up in March. We had a first draft of a script by May 1st and we started shooting August first. That turnaround time for pre-production is unheard of. Because of that we knew there was a level of intensity and efficiency that needed to be built into the production process. That also informed the decision to film in the Tampa area. Knowing what we had on the ground to work with locally allowed us to more effectively and efficiently build out the infrastructure that we needed to support ourselves fiscally, as well as creatively.   Read More

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Kaitlin Wolfberg - Rising Star

Kaitlin Wolfberg Photo Front PageKaitlin Wolfberg may not yet be a household name, but the people in the Los Angeles music community know who she is and she is highly respected. She appeared on stage playing violin with H.E.R at the 2019 Grammy Awards. It is Wolfberg’s versatility and her ability to shine that have seen her garner praise for her playing (violin and viola), as a conductor, arranger and composer. Oh and did we happen to mention recently she donned the producer’s hat and she also sings. Could there be drums or an electric guitar in her future? We do not know, but Kaitlin Wolfberg did have this to say about her appearance on the Grammy Awards stage.

“Working with H.E.R. and her team on her Grammy Performance was a real treat. Everyone wanted to make the performance perfect and we were all on the same page. So much positive energy swirling around that performance, it was a very special, inspiring and memorable moment for me that I will treasure forever. Also, being on that stage, in front of The Academy and so many legends was certainly a humbling experience.”

Perfect is not a word that you hear very often when Kaitlin Wolfberg describes one of her musical endeavors, as she continually seems to be pushing herself to achieve a higher level.

When asked however, which of the many areas of music that she works within that brings her the most satsifaction she says, “Lately, I get a lot of satisfaction out of arranging and making big, beautiful arrangements. I guess that would be it. Recently, I did a bunch of arrangements on Alice Wallace’s record that I am pretty happy with. I did two string quartet arrangements for Junior Thomas and the Volcanoes (record). I have been working on this new record with Man’s Body Read More

Barbara Dennerlein - Blues Album

Barbara Dennerlein Front Page Photo 2019Barbara Dennerlein has long been considered one of the world’s foremost Blues and Jazz Hammond B3 organists and composers and in more recent years has added to her musical palette by playing the same music on pipe organs. The affable artist who lives in Germany took time out from her busy schedule to chat with Riveting Riffs Magazine about her first ever compilation album Best of Blues: Through the Years.

“There are two things that came together, one is I love Blues and my roots are Blues. For a long time I wanted to do something with the Blues, because I have a lot of contact with the audience when I play concerts. Over the years many people have asked me on which of your CDs are the most Blues compositions? I realized that one day I should do some kind of a Blues compilation (album). This has been in my mind for many years and I have thirty-three years of Bebab Records, which is my own label. I thought it would be nice to do it now. I have been in the business for long enough now to do a compilation from my label,” she says, laughing lightly.

Because it is a compilation album, it is important to note that the songs were all recorded at different times throughout the years and then remastered recently.

Barbara Dennerlein says, “First I had to pick the songs I wanted on the album. There were many Blues compositions (that I recorded) over the years. The difficult part was to pick the ones that I want on the compilation.  There are so many that I like. There are a lot of different albums with different songs and some of them were recorded live and some of them were recorded in the studio. Naturally the sound and the lineups are  Read More

Fiona Joy Hawkins Interview

Fiona Joy Hawkins photo for front pageFiona Joy Hawkins is the owner of Q Pop Up Gallery in Australia, but you know her best as being an amazing Neo Classical / New Age and Contemporary Instrumental Music, pianist and composer, who doubles as a member of the ensemble FLOW and in collaboration with musician (also a member of FLOW) and producer Will Ackerman co-produced an award winning debut album for American artist Jennifer DeFrayne. Fiona Joy, as she is sometimes referred to is also a visual artist and some of her own paintings are featured in the gallery.

Elegant while seated in front of her piano, vivacious while doing this Skype interview and giving us a tour of her gallery and down to earth enough to have become the mother to numerous orphaned Joeys (baby kangaroos), one immediately recognizes the deep connection between nature and her music.

“The love for nature and animals has always been there from when I was a little girl. I used to bring home strays all of the time. I would land at home with a cat or a dog. I would find a dog with a broken leg or a bird with a broken wing or that was starving to death. I have always had a lot of animals. When my kids were growing up I was a wildlife information and rescue officer.  I took some courses about kangaroos, so I was able to hand raise joeys (baby kangaroos). When the mother is killed and the joey gets thrown from the pouch someone has to raise it and that is something that I did. It was a volunteer job, but I loved it, because I love animals,” she says.

Continuing to talk about the connection between her art, music and nature Fiona Joy Hawkins says, “It is all the same daydream. It is that same type of daydreaming world.  As for my love for animals, sometimes you can connect more with  Read More

Give Up Your Ghosts - Rebecca Loebe

Rebecca LoebeWith the recent release of Rebecca Loebe’s fifth full length album Give Up Your Ghosts she has sent a clear and powerful message to the music community that she is a singer and songwriter to be reckoned with. Her vocals are pristine, her phrasing is impeccable and her songwriting draws you in as she paints vivid word pictures.  Loebe (pronounced Low Bee) was born in Arlington, Virginia, her family moved to Atlanta, Georgia when she was eight years old, she was schooled at Berklee College of Music in Boston and she now calls Austin, Texas her home. She took time out from her rigorous North American and international tour schedule to talk to Riveting Riffs Magazine about the record Give Up Your Ghosts and her career.

“The record is called Give Up Your Ghosts, because it is about what is holding you back or what is no longer serving you. That is the global theme of the whole record. It is pulled from specific lines from the song “Ghosts,” which are “Give up all of your ghosts / At least the ones you love the most / They were never holding you as close / As you were holding them.” That song came together pretty quickly in the writing process. Some songs I labor over for many months, but this one was a stream of consciousness writing experience. It felt like I was writing gentle instructions to myself for how to be happy, how to handle my life right now and how to handle (times of) feeling overwhelmed by the world at large. I just have to remember to relax and to chill out a little bit. I feel those lines in particular are about letting go of your fears or these giant roadblocks that you see ahead of you, because often they are really only in your own mind or they are much bigger in your mind than they are in reality,” explains Rebecca Loebe.

“Ghosts,” is the second song on the Read More

Hope Juber Interview

Hope Juber Photo Front PageShe we cannot say much about this yet, but even though Hope Juber is an actress, a very successful playwright and screenwriter, singer, songwriter and oh let’s not forget that she also produces music, as well as films, She may just have another really good movie on the way. Sorry that is all we can tell you for now…except…

“I have had readings of my movie that I wrote with my partner Ellen Guylas (Full House, Newhart, Three’s Company, Who’s The Boss?) I am very passionate about this particular project, because it is totally mine,” says Hope Juber.

For those not familiar with her work, among other things she has acted in, worked on and produced the television series for, movies of and musicals based on Gilligan’s Island and The Brady Bunch, both of which were created by her father Sherwood Schwartz.

“I had the idea for this movie a few years ago and I brought it to my partner Ellen Guylas and we started talking about it. It was the only project I ever took to my dad. I told him all the different ideas I had and what I was working on. When I took him this one he said you keep going with this one, because this is your commercial hit movie. He said I want you to keep going. Will you promise me you will? I said yes.

I have been working on it for a long time and I am hopeful, because this is a movie that Read More

Interview with Singer Margret Avery

Margret Avery 2019 Photo front pageThere have been many well-known and outstanding singers who have almost had their careers sidetracked due to stage fright, stars such as Barbra Streisand, Fiona Apple, Adele, Beyonce, Andrea Bocelli and Carly Simon had stage fright to such a degree that she once passed out during a performance and Renee Fleming. We mentioned all of those people, because our guest at Riveting Riffs Magazine, Margret Avery is also an outstanding singer in her own right and she had to learn how to cope with stage fright, as well.

Margret Avery grew up in Ohio where when she was growing up she sang in school productions.

“The first things that I sang when I was very young were Hungarian Christmas carols. Later I had a girl group that I put together. There were four of us singing (again) in school productions and we did some classic Motown things. It was a lot of fun. We didn’t go anywhere with it, it was just something that we enjoyed.

I started to develop some stage fright and when I made my plans to come to New York to go to college I put it (singing) on the backburner. I decided to make a different career choice, but I had a roommate who would hear me sing, while I was doing my homework. I was sitting there as a designer stitching and sewing and she could hear me sing. She would pop her head around the corner and say to me, what are you doing with that voice? (She laughs). She said you could be making money, why aren’t you singing? I said maybe. Read More

Charlie Faye & The Fayettes

Charlie Faye and The Fayettes Photo for front pageGet ready folks, because coming your way in early February (2019) is a sensational and fun album by Charlie Faye & The Fayettes. The new record is The Whole Shebang, literally the name and the listening experience. The trio of ladies from Austin, Texas, boasts great harmonies, led by Charlie Faye and supported by her Fayettes, BettySoo and Akina Adderley. Influenced by girl group of the sixties and Soul from the sixties and early seventies they are so good that listeners may find themselves saying I am sure I have heard this song before somewhere and assume the trio is merely covering songs from yesteryear and yet that is not the case, as these are all original songs.

“In fact that happened at a show of ours last weekend. Someone who wasn’t really familiar with us, came up to us after the show and that person said I thought these were all songs from the sixties until you said something about that you had written all of these songs. I think that happens a lot,” says Charlie Faye.

The Whole Shebang opens with a song co-written by Charlie Faye and Bill Demain, “1-2-3-4,” feels like it stepped out of the sixties, but more importantly resonates with the audience in 2019. The first four lines recall that feeling of meeting “the one” with “1,2,3,4, That was all it took / A heartbeat and a look, and I was so gone / Felt my whole world tilting left and right / And suddenly a light just came on…”

It is easy to imagine being at a  Read More

Hayley Sales - "Like Never Before"

Hayley Sales Photo front pageRarely in this century has an individual come along who possesses the ability to equally amaze others with her acting and her musical talent to the degree that American / Canadian Hayley Sales does. It has been an incredibly busy late summer and early fall for the affable Hayley Sales, as she recorded one album, is recording another, shot a film and a television episode and in the midst of all that she also got married.

Sales, took time out from her busy schedule to sit down with Riveting Riffs Magazine to discuss at length her album Slightly Out of Tune, which will be released in the spring of 2019 (She has posted some songs on YouTube), her twin careers and to share a little bit about her life.

The self-described romantic co-produced her album (and yes she really does know her way around a recording studio) with her father Richard Sales, known for his work as a producer and sound engineer with the Grateful Dead, The Ramones and Miles Davis. The songs on Slightly Out of Tune range from those that invite the listener to dance, such as the opening track “I Don’t Believe,” and the retro infused “Waiting It Out,” backed by a stellar horn section and the soulful “Out of Tune,” to her romantic love letter “Like Never Before,” co-written with Sharon Stone.

Often punctuating our conversation with light laughter Hayley Sales talks about her musical influences, “I have always been in  Read More

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Karin Risberg and Angel Blue

Karin Risberg Photo for Front PageFrom Pop singer to Swedish Country music star and from the small town of Skelleftehamn, just a couple of hours from the Arctic Circle to France, back to Sweden and onstage in Nashville with the legendary Time Jumpers and Vince Gill, that just about sums up Karin Risberg’s career as a singer, songwriter and guitarist.

Risberg has a 2019 tour planned with her friend Country music singer Cina Samuelson as the duo Honky Tonk Angels, a duo that still performs at times with Kerstin Dahlberg as the trio Three Chicks. The group Three Chicks has been performing together since the 2010 Lida Country Music Festival in Sweden, while Honky Tonk Angels made their debut in September of this year (2018) when they performed at the Sweden Country Music SM.

So where did this all begin for Karin Risberg? Her answer is not surprising, as she continues the long line of outstanding Swedish singers and musicians who have come from small towns and villages throughout the country.

“I was born in a small town called Skelleftehamn and it is in the north of Sweden, eight hundred kilometers north of Stockholm. It is very close to the Arctic Circle. I grew up in a family with my mom and my dad and a little sister. My mom used to sing in the choir and she also sang for me every night when I was going to sleep. She was the only (musical person) in our family. My father always encouraged me. He heard me singing all of the time when I was a little girl. He was proud of me, so he had me sing everywhere that I went 

We had a youth club in Skelleftehamn and every young kid went there after school. We had a room where we could go and play guitars and sing, so I started to sing with some friends. In Sweden we celebrate something called Lucia (after Saint Lucia and celebrated on December 13 th) and the youth club had a soiree. It is like a show with different kinds of numbers. Some people were speaking and some told jokes or did music. You could do anything you wanted to do.  I was singing with my guitarist  Read More

Stellar Album by Mandy Barnett

Mandy Barnett photo for front pageAlthough Mandy Barnett made a name for herself portraying the legendary Country music singer Patsy Cline in the musical Always…Patsy Cline, her new album Strange Conversation showcases in splendid fashion her versatility as an artist, as she easily transitions into other genres. The album opens with Blues singer Mable John’s “More Lovin’,” and Barnett turns up the heat right away with a sultry vocal performance that will have you tapping your toes, nodding your head and moving your shoulders.  The song is a duet with Arnold McCuller and the two singers complement each other well. 

It becomes immediately apparent on this album that the producers Marco Giovino (Norah Jones, Robert Plant, and Patty Griffin) and Doug Lancio (Gretchen Peters, John Hiatt, and Patty Griffin) ensured that Mandy Barnett was accompanied by musicians who understood that their role was to compliment Barnett. They become the perfect dance partners with Mandy Barnett leading the way and like any truly great performance you find yourself caught up in the moment. Tom West’s organ sets the mood, Viktor Krauss is on bass, Giovino keeps beat on drums and Lancio is the guitarist. Grammy Award winning sound engineer Gord Hammond from The Nuthouse studio in Sheffield, Alabama does a superb job.

Released on Dame Records, Mandy Barnett’s own label and distributed by Thirty Tigers, Strange Conversation is a collection of songs that is a “must have” for anyone who truly appreciates well thought out song selections that showcase a singer and make you sit up and go “wow.”

In 1962 The Tams released the song “It’s All Right (You’re Just In Love),” and Barnett puts her own stamp on the tune, as she brings it back to life with a new arrangement and a stunning classic R&B performance Read More

Doubledown Cosmetics - All Natural

Kristen and Marvin Photo Front PageOne listens to Marvin and Kristen Speller talk about their married life, about Doubledown Cosmetics, the work they do in the community and Kristen’s music and you are immediately struck by how supportive they are of one another and the warmth of their love for one another.

The seeds were sown a long time for their cosmetic line, as Marvin explains, “I will give the shorter version of this. Almost nine years ago when we first met, I was in North Carolina and I had custody of my daughter and she had a dance recital that weekend. As a guy I knew nothing about makeup. I didn’t know what I was going to do. I put my thinking cap on and I called Kristen up and I said I need help and lots of it.  She knew a lot about makeup and I thought she was an expert. She was always so passionate about it.

Fast forward down the road and she was always sharing makeup tips with people and always watching people and the gurus. I have always been of the mindset that when you are with someone that you love, a close friend or family member and definitely a significant other you try to help them make their dreams come true.

I kept saying to Kristen you really need a product, because this is something that you are so passionate about and you are so great. She was a guru from my perspective. She was really into it. Last year (2018) we just decided to go for it. The first product was a makeup bag. It is vegan and cruelty free and it coincided with what we do with wellness. It was a great product and there was a market out there for that.”

Kristen picks up the story about why makeup has been so important in her life, “When I was dealing with neurological trauma, as a domestic violence survivor I lived in hiding for four years, while I worked at my job in corporate America. I was tired, I was taxed and I had a very demanding high management job. Then I was  Read More

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Interview with Brad Cole

Brad Cole Front Page PhotoWhen you listen to Brad Cole speak, the casual way in which he talks about his own accomplishments and the gratitude that he expresses would lead the uniformed to conclude that he is just a guy trying to find his way in the music world. That is unless, you already know enough about Cole to ask him about being the musical director and keyboardist for Phil Collins for twenty-eight years or his work as a musician, sound engineer, arranger and producer with a star studded array of artists that includes Paula Abdul, Gino Vanelli, Dave Koz, Michael Bolton, Darlene Koldenhoven, Rita Coolidge, Brenda Russell, Peabo Bryson, Al Jarreau and the late Natalie Cole, as well as numerous others. Brad Cole who as we write this is in the midst of a North American tour with Phil Collins, took time out recently just prior to his leaving for the tour, to talk about his career.

Brad Cole grew up in a suburb of Philadelphia and despite the fact it was a burgeoning scene for Doo Wop, Pop Music and Rhythm and Blues in the late 1950s and throughout much of the 1960s, Cole was drawn to music far removed from what most people his age were listening to at the time.

“That is a somewhat amusing part of it, because when I was a kid after a certain time I had no interest at all in listening to AM radio and bubble gum Pop music. Even The Beatles and stuff I became a real snob about. I was a Jazz purist and a Classical purist and I was that way for much of the rest of high school. By the time The Beatles’ Abbey Road came out, which was 1969 that is when I started getting reacquainted with mainstream Pop and Rock. I also liked Cream (Eric Clapton, Ginger Baker, Jack Bruce). I came back to it, but I missed a chunk of it. I definitely missed all of the stuff that was going on in Philadelphia. Number one I wasn’t sure I was going to become a professional musician and number two it wasn’t the kind of music that I paid attention to at the time. (The music) that was going on locally slid by me. Pop and commercial music wasn’t a focus for me. I have a big gaping hole in my upbringing compared to some of my friends who listened to nothing but Pop and Rock music. Subsequently they aren’t up on the Classical and Jazz repertoire in the same Read More

All written material, all photographs and all designs are protected by copyright © and patents by the writers, photographers, editors, designers, musicians, songwriters musicians and filmmakers who contribute to Riveting Riffs Magazine or have by consent allowThe third song on the album “Black Rain,” is poignant in its social commentary, Thompson explains, “Black Rain was inspired by all of the shootings that have been happening for a good long while. I was thinking about Ferguson when Ferguson first happened. Then I got thinking about Virginia Tech and some of these other instances, which were not police oriented shootings, such as San Bernardino with the terrorists. It is making me ill. If you think about these schools it just keeps getting worse and worse with the copycat scenario.  It is just too much and I felt like I needed to write something. I just want to say how can we stop this? People need to think about it. ed their work to be exhibited in Riveting Riffs Magazine, and / or Riveting Riffs Magazine and Joe Montague. Use of any material that appears in Riveting Riffs Magazine, without the written permission of the publisher and where applicable other rights holders, is strictly prohibited and is subject to legal action. This includes the reprinting, in whole or in part on the internet, by photocoping, reposting on blogs or other websites or magazines or newspapers that appear in print or quoting more than 200 words of any one composition, on terrestrial radio, internet radio, satellite radio, webcasts or television. The Riveting Riffs Magazine logo is copyright and trademark protected any infringement will result in legal action.